Submissions are open through March 31st, 2024 for the tiny frights vol. 3 no. 1, Walpurgis 2024 issue. See submission guidelines at https://tinyfrights.com/tiny-frights-submission-guidelines/.
Category: Updates
tiny frights submissions are closed

tiny frights submissions are closed until November 1st, 2023. Look for the next issue on Halloween day!
New podcast episode, guidelines update
A new episode of the tiny frights podcast has dropped! Episode 2 features the poem “Ryan” by Eve Ott.
Speaking of which, the submission guidelines have been updated to include the right to feature a performance of your work in the podcast. Of course, that doesn’t apply retroactively to works accepted before today. If you’ve previously been published or accepted for publication in tiny frights, I might be in touch to request podcast rights.
Updates 2023-01-29
Greetings, and Happy New Year! I hope 2023 is going well for you.
First up: tiny frights is no longer active on Twitter. I haven’t closed the account because I don’t want anyone grabbing the name, but the bird site is a fascist-leaning s***show these days and I choose not to participate.
Mastodon
Related to the above, tiny frights now has an account on Mastodon: https://social.horrorhub.club/@tinyfrights. (By the way, if you’re new to Mastodon, I encourage you to throw some financial support to your server, if you can.)
A word or few about content warnings
I said in the Halloween 2022 issue:
If an author/artist includes a content or trigger warning with their work, I’ll include it here. I do not add content warnings otherwise.
Content warnings might also be called “content notices.” “Trigger warnings” is a term that’s sometimes used interchangeably with these, but it isn’t exactly the same. A content warning might be compared to a movie rating or even an email subject line: it gives you an idea of what’s ahead. A trigger warning specifically signals that the content might trigger PTSD in people who have had traumatic experiences related to the content.
You can find plenty of pro/con arguments for both content warnings and trigger warnings on the internet. A far from exhaustive, mostly random sampling:
- “Trigger-Happy: A professor explains why he’s pro-trigger warnings,” Slate, reprinted from Inside Higher Ed
- “On Trigger Warnings,” American Association of University Professors
- “Trigger Warnings: Yes or No?” at Reading Ladies Book Club
- “The Following News Release Contains Potentially Disturbing Content: Trigger Warnings Fail to Help and May Even Harm,” Association for Psychological Science
(Much of the controversy about these topics is in the realm of education. A zine, of course, is not a classroom, but many of the pro/con arguments still apply.)
The Book Trigger Warnings website has a list of (at the time of this writing) 97 triggers, including probably all the topics you would expect, as well as some that surprised me (“Religion”) and a couple I had to look up. It would be easy to mock this list as being overbroad, but even if that’s a valid critique of the list, that’s no argument against the underlying concept. Personally, I don’t think it is overbroad. As someone who was raised in a rigidly religious household, I can see how religion would be triggering for some people.
I’ll admit, I do use content and trigger warnings outside the zine. I might tell someone, “A dog dies in this movie,” if I know that would upset them. When I pass along a book I’ve read, I might temper my endorsement with a warning that a character in it suffers a trauma similar to something I know the recipient has experienced.
But I know these individuals, I know some of the things (not everything) they’ll find disturbing, and I know whether they’ll appreciate getting a heads-up. I don’t feel qualified to make those judgment calls for the readers of tiny frights, most of whom I do not know. However, I will respect the wishes of authors who want specific content/trigger warnings for their own work.
I’m not sure this is the right position to take, and I might change my mind. As William Blake said, “The man who never alters his opinion is like standing water, and breeds reptiles of the mind.” But that’s my position right now.
Halloween 2022 issue now available for download
The PDF and EPUB versions of tiny frights Halloween 2022 are now available for download on the Issues page.
Update 2022-09-18

Today begins Banned Book Week. You might want to check out the American Library Association’s 13 Scary Banned Books to Read for Halloween.
In other calendar-related news, the deadline for the Halloween 2022 issue of tiny frights is September 30th, less than 2 weeks away! If you have little scary poems or microfictions or spooky works of visual art, now is the time to send them! (Please read our submission guidelines first.)
Horror reads since the last update:
- Beneath the Rising by Premee Mohamed, a combination coming-of-age novel and cosmic horror
- The Hollow Places by T. Kingfisher, weird horror with humor and tenderness
- My Heart is a Chainsaw by Stephen Graham Jones, an original and thrilling take on the final girl trope
Probably at least one of these will be reviewed in the upcoming issue.
Update 2022-07-15

With only two issues of tiny frights a year, I figured I should put out the occasional interim update.
Horror reads since Walpurgis night
One or more of these might be reviewed in the upcoming issue.
- Dark Country by Monique Snyman, a horror detective novel.
- Queens of the Abyss: Lost Stories from Women of the Weird, edited by Mike Ashley.
- Manhunt, a dystopian near-future novel by Gretchen Felker-Martin.
- What Can You Say Against a Death Machine? a collection of absurdist short stories by Marty Shambles.
- Your Body is Not Your Body: A New Weird Horror Anthology to Benefit Trans Youth in Texas, edited by Alex Woodroe and Matt Blairstone.
- Coyote Songs: a barrio noir, a novel by Gabino Iglesias.
- The Curious Case of H.P. Lovecraft, a biography of the influential horror writer and notorious bigot, by Paul Roland.
My recent horror viewing
- I watched all four seasons of Hannibal. No disrespect to Anthony Hopkins, but Mads Mikkelson plays the part better. (But then, he had a larger canvas to work on.) I appreciated the importance of William Blake in the 4th season.
- Blake’s work and thought also played a part in the psychological horror movie Saint Maud.
- Brand New Cherry Flavor — this miniseries kept me watching to the end, but I’m still not sure what I think of it.
- I was disappointed by the final season of Stranger Things.
- I rectified a grievous omission in my education by finally watching Get Out, and I’m glad I did.
- Ditto The Shape of Water.
- Watching the series Midnight Mass was time well spent, but it could have been even better.
- I continue to watch my way through Wynonna Earp, but it’s starting to remind me of Supernatural.
Miscellaneous spookiness
My wife and I spent a couple of nights at The Elms Hotel & Resort, and I went on the paranormal tour. There were a few tales of apparitions, but most unexplained occurrences seemed to fall under the heading of poltergeist phenomena, or maybe just mischievous spirits moving things. We experienced nothing eerie during our stay.
The Halloween 2022 issue
The next issue is starting to take shape, with art, poetry and fiction by the likes of Kathy Allen, Jerome Berglund, Alex Bestwick, Linda M. Crate, Mort Duffy, Nolcha Fox, Madison McSweeney, Jennifer Rodrigues, and your humble editor. If you’d like to join this illustrious roster, the deadline for submissions is September 30th. See the submission guidelines for details.

